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Saturday 22 June 2024

Listen for the Lie by Amy Tintera

 

 I received an ARC of this book thanks to NetGalley and publisher Random House UK in exchange for an honest review.

Every so often a thriller comes along that gets a ton of hype. Listen for the Lie is one of those books and I actually think that this hype is in detriment to it.

Listen for the Lie is the story of Lucy, a woman who was accused of killing her best friend 10 years ago and could never be proven innocent or guilty. She returns to her hometown at the request of her grandmother, only to discover that a podcaster is making a series about the murder. Everyone in the town thinks Lucy did it and she has very few friends as a result. She is also prone to wild fantasies of constantly murdering those around her.

In a vacuum, this book is great. It has fantastic pacing and a nice steady plot which makes it very easy to read. The characters, the mystery, the general events are all excellent. But I have some issues and almost all of them stem from things I have read about this book. Do I wish I could ignore them? Absolutely. Does the modern marketing world make this impossible? Yes.

Firstly, I've seen this book advertised as having 'an epic twist' multiple times. This is just not true. It's not that kind of thriller and doesn't need to be. It has great pacing as I mentioned and a number of interesting surprises that crop up throughout the plot, but none of them are a gut punch 'this changes everything' twist. Expecting a twist disrupted the reading experience for me and almost put me on edge, and I worry this marketing will leave a lot of people disappointed.

Secondly, this book is allegedly a dark comedy. Humour in books is so hard to pin down. There are almost no books which make me laugh out loud and I am one of those weird people who will cry-laugh at TV shows when I'm entirely alone. I honestly didn't even know this book was supposed to be funny which I think is a bad sign. Does the humour come from the fantasy murder sequences? If so, these needed to be actually elaborate escapades and not one or two lines of repetitive dialogue.

I feel like I've ragged on this book quite a bit and I want to stress, I did really enjoy it. It's a great example of how to write a thriller without a huge twist, and books of this kind honestly deserve more credit. I loved the messaging around family, and the relationships between Lucy, her parents and her grandmother. There was some thought-provoking stuff around how you can let down those around you by thinking them capable of terrible things, and that was explored from several different angles.

Overall, this book is definitely worth picking up if you enjoy thrillers. Just try to go in without the expectations pushed on by the marketing or other readers, and there's a lot to enjoy here. Tintera is a great writer and I look forward to more thrillers from her

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