I received an ARC of this book thanks to NetGalley and Michael Joseph, Penguin Random House in exchange for an honest review.
What everyone else is reading
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
― Haruki Murakami
Note: Spoilers will be marked but click the 'spoiler free' tag to be certain!
Sunday, 6 October 2024
Ink Ribbon Red by Alex Pavesi
Tuesday, 27 August 2024
A Lesson in Cruelty by Harriet Tyce
I received an ARC of this book thanks to NetGalley and Headline Audio | Wildfires in exchange for an honest review.
The plot of A Lesson in Cruelty is a little hard to summarise without spoilers but I shall do my best. This is really a book of three separate plots which then come together. The first part is about Anna, a woman who is being let out of prison only to find her cellmate dead on the day of her supposed release. The second is about Marie, a woman imprisoned on a remote Scottish island (that's about it really). Finally we have Lucy, a law student who desperately wants to sleep with her professor and gets the chance to when they go away to a conference together.
If these plots sound a bit disjointed then good, I have accurately represented the listening experience. Never has a book had so much going on and yet so little of it which actually matters in the end. The swaps in character did not feel particularly natural and I actually found it intrusive to the flow of the story. The three characters are distinct but when the plot starts coming together and the different threads start to collide, you start to realise how much faff there was. It is at this point that some events are chalked up to 'random coincidence', something I'd be more forgiving of if this wasn't already a bit of a mess in terms of how its crafted.
I also just need to talk about Edgar for a minute because he is in some ways the most outlandish character. He is a law professor and honestly cartoonish in the way he neglects his family and how he conducts 'research'. I'd like to point out here that I am actually a lecturer and even allowing for the liberties fiction can take, what he gets away with is absurd. It pokes a huge hole in an already-punctured plot.
The 'twist' at the end is painfully obvious as several reviewers have pointed out, but it's made even more obvious by the way the audiobook is narrated. The narrator does an ASMR voice for some passages where we're not supposed to know who exactly is narrating them, but then the same voice (admittedly dialled back) is used for that character so it becomes clear who it's going to turn out to be. Additionally, some lines near the end are a different volume to the surrounding ones. This was very distracting and just made the production seem a bit cheap, like they'd been dubbed in afterwards.
Overall, I sadly wasn't very impressed by this thriller. The plot is oversaturated and requires suspension of disbelief to buy that certain aspects would be allowed to happen. The characters are decent but there are so many of them and too many coincidences play out in terms of their relationships. Perhaps if the audiobook had been better then I would have enjoyed this more, but it wasn't my cup of tea
Overall Rating:
Friday, 9 August 2024
So Thirsty by Rachel Harrison
Harrison is a fairly new author to me and one whose work I am immensely enjoying. Black Sheep was one of my favourite books of the year. I thought The Return was a little lacking but I loved the themes and writing. So Thirsty is kind of a revisit to The Return, albeit with a different lens and focus.
So Thirsty is the story of two friends, Sloane and Naomi. Sloane is the calm, meeker of the two who is currently in a somewhat unhappy marriage. Naomi has always been wild and never thinks about the consequences of something before she does it. Whilst on a trip for Sloane's birthday, Naomi insists they go party with some strangers in an isolated house which triggers a chain of events leading to them both getting turned into vampires.
I did really enjoy both the writing and general atmosphere of this book. It continues the 'toxic friendship' line of thought from The Return, though I felt this could have been more strongly tied into the vampire aspect. Maybe the author wanted to avoid the obvious but it makes sense to link metaphorical bloodsucking with literal, no? Everything was still a little bit vague, a little bit abstract. Even by the end of the novel, I couldn't tell how Sloane really felt about Naomi or vice versa. I wanted a deeper exploration of the nuances of the friendship, of how a situation like that really affects people emotionally.
Having said that, this book is still well worth the read. I feel like Harrison is so close to releasing my favourite ever horror book about toxic female friendship. So Thirsty isn't quite that, but it is an interesting and strong vampire horror novel and those in themselves are rarities in my opinion. If you've not read anything by her before, I'd recommend Black Sheep over this but if you've enjoyed her other works, this is perfect to pick up
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The House Share by Kate Helm
The House Share tells the story of Immi and Dex, two young twenty-somethings who move into a strange but financially-enticing houseshare in London. A little like a cult and a little like university, the houseshare promotes communal living and a vested interest in helping each other as a community. And as with both a cult and university living, there is a bit of a darker side with things taking a turn for the dangerous.
The House Share is a book of two halves. For the first 60-70%, I really enjoyed it but then something odd happened. Characters started acting stupidly, one of the narrators vanishes off the page and stops being important, mental health gets emphasised in a weird way. It was so disappointing because while the writing itself was still pretty good, the plot had taken a sharp downturn. In particular, the epilogue is a real slog and suffers from having the perpetrator dramatically reflect on their crimes like a Bond villain. I also can't believe we don't get to hear again from Dex's point of view after he finds out he's innocent. That felt like such an oversight to not get his reaction at all.
The final twist of it being a psychological experiment also didn't ring true to me. Why pick those particular people if that was the case? Why is the psychology behind everything so shaky? I am not a clinical psychologist but I do have a doctorate in mental health research and the representation, while not awful, was not super accurate either.
Overall, there is still a lot to like about this book and in terms of the thriller market, this is one of the better ones. It's a shame the quality wasn't consistent throughout but I do think this author has huge potential and I would be interested if they released another thriller
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Monday, 29 July 2024
My Darling by Amanda Robson
Friday, 26 July 2024
I Love Romcoms and I am a Feminist by Corrina Antrobus
Tuesday, 23 July 2024
Slasher Witch at the Waterpark by Penny Moonz
What an absolute blast this book is!
Slasher Witch at the Waterpark is a farcical horror comedy book about a witch killing a bunch of people at a waterpark. It is equal parts ridiculous and fun, with a lot of creative deaths and details which made this book such a delight to read. An ancient witch getting drunk off frozen margaritas whilst she murders dozens of people? Timeless.
There's honestly not much else to say about this book. The title tells you what you are in for, and it certainly delivers. I will say, I genuinely did love the range and creativity behind the deaths and the horror. Parts of the waterpark start coming to life, sea creatures reign terror and the skies open up to meteorological horrors. There are a few gross moments to be aware of but I am usually quite sensitive to certain elements (bodily fluids etc) and I found it manageable. If you're looking for a fun horror read that is goofy in all the right ways, I cannot recommend this more!
Overall Rating:
The House That Horror Built by Christina Henry
An Unlikely Proposition by Rosalyn Eves
An Unlikely Proposition is the second book in the Unexpected Seasons series, although you can read it without having read the first one and pick up on most of the story beats. This book focuses on Thalia (from the first book) and Eleanor (new) as they navigate romance and their livelihoods on the London marriage scene.
I'm going to be honest, Thalia was not the character I particularly wanted to read more about. She was my least favourite from the first book and I wasn't really looking forward to spending more time around her. Having said that, she is much less infuriating this time around. She still makes some bad decisions and I still found her poetry stuff a little annoying.
Unfortunately though, the main takeaway was this book didn't really make me feel anything. I only read it about a month ago and already I can remember so little about it. Eleanor is fine as a protagonist but she is quite flat. She is prim, to the point where I found it really hard to buy that she is only 17. I had to keep reminding myself that she was a young woman because it was almost jarring when she started doing what Thalia was. I kept mixing up the two love interests and now I couldn't tell you a single thing about them. I don't want to be mean, I just generally can't recall even their names.
Overall, I unfortunately can't recommend this book. The first one is still a good time for most of it so I'd give that a read, but this didn't really offer me anything new
Overall Rating:
Black Sheep by Rachel Harrison
I received an ARC of this book thanks to NetGalley and publisher Titan Books in exchange for an honest review.
I read Rachel Harrison's debut novel The Return and thought it was really enjoyable but a little unpolished. I am happy to say that Black Sheep is that book with all the polish and so much more.
Black Sheep is the story of Vesper, a young woman who escaped her upbringing on a cult-like religious farm and is now struggling to get by. One day she receives an invitation to return to the farm to attend the wedding of her favourite cousin, Rosie. It just so happens that Rosie is marrying Vesper's childhood sweetheart and so despite her better judgement, she decides she has to go back to find out what is going on.
This book embodies all the best aspects of horror for me. Horror as a metaphor for trauma can be such a powerful tool, and Harrison uses it impressively here. Some of the themes present in The Return can also be found here, but this time they feel fully explored and the metaphor is far stronger. I loved going into this book almost blind and I encourage other readers to do the same. I simultaneously felt like I knew exactly what was going to happen but also I wasn't quite sure, which is a great position to be in as a horror reader.
The characters are also really strong. Vesper in particular stands out, but I loved the hints of complexity surrounding her mother. Other characters like Rosie and Brody are less complex, but it feels by design. We don't get to know much about them and why should we? Vesper views them a particular way and we are limited by her narration.
This book has convinced me to read everything Harrison writes forever. I didn't think this was really a topic area I was hugely interested in going in, and I fell in love with the writing and style. Her other books similarly aren't about things I would normally seek out (witches, vampires) but now I can't wait to read them. If you're a fan of horror used to explore human emotion and depth, I strongly recommend giving this a try
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Monday, 8 July 2024
Twisted Tales Anthology by Multiple Authors
I adore the Twisted Tales series. There is something so delightful about official Disney fanfiction and I was particularly excited to learn there was a short story collection. As I sometimes do with anthologies, I'm going to talk about stories individually. I can't remember the story names so I will do it by film instead. I am also going to spoil things a little because it's hard to talk about them otherwise:
Beauty and the Beast: What if Belle went to the fair instead of her father? Well, she never meets the Beast, the castle dwellers presumably are doomed and she ends up running the bookshop in the town which hated her. She's perfectly happy though. This one is a little weird because while it's nice she has an alternative for a good life, it does raise some questions.
Lion King: What if Mufasa survived the fall? This story was one of the ones I disliked the most just because it felt so out of character. Mufasa becomes a helicopter, overprotective parent when he was quite open and honest with Simba in the movie. He also still trusts Scar, so you can't even argue that the accident changed him. It was decently written but didn't really ring true.
Ratatouille: What if Remy met Colette instead of Linguine? I skimread this one as I'm not hugely into Ratatouille, and as far as I could tell, not much changes from the film. Colette still meets Linguine and they still end up owning a restaurant together, so any changes are a little superficial.
Little Mermaid: What if Eric met Ariel as a mermaid? This one was kinda cool. It has some of the same stuff as the live action remake, where Eric and Ariel get to bond a bit more because she can talk to him. However, this was another one were things didn't really change much. Rather than look interested, Ariel can now say 'that's interesting'. The story goes in a different direction but it's not super exciting.
Rattle the Stars & Fates Three: I skipped both of these as I have only seen Treasure Planet once and Brave not at all.
The Reluctant Prince: What if Bambi didn't know he was meant to be the Great Prince? And what if he didn't want to be? This was kind of the opposite of the Lion King story. I enjoyed it because I got to imagine Patrick Stewart as Bambi's dad again and that was fun. Bambi is a little whiny here but it was mostly fun.
A First Mission: What if Mulan took the job with the Emperor? This was a really strong story and a great way to end the anthology. A lot is different from the film/sequel, and it's nice to see that alternative world. I wish more stories were as bold as this
Overall Rating:
Thursday, 4 July 2024
Disney Villains: Happily Never After Gaston by Lorie Langdon
Of all the villains who deserve a sad origin story, Gaston is not one of them. Still, I was super excited to read this retelling/prequel/exploration into Disney non-canon. And I'm so glad I did!
Happily Never After Gaston is the story of Gaston from Beauty and the Beast, reimagined as an ugly and unpleasant teenager. Living in his brother's shadow and hated by his family, his luck starts to change when he meets an enchantress named Agatha and they form an arrangement of sorts. If Gaston can prove himself to be a good person, she will make him attractive. It's a simple premise and one which is extremely well-executed.
This book can't have been easy to write. Gaston is intentionally a flat and unpleasant character in the original film. He has to be compelling enough here to half-lead a book, but not so sympathetic that it doesn't fit with his portrayal in the film. I'd say the author does a great job of this. Is this Gaston from the films? No, but he's close enough. And honestly, it was a lot of fun as a Beauty and the Beast fan having this alternative version of Gaston and that world.
Fun is the main word I'd use to describe this book. It has the same kind of enjoyment as the Twisted Tales books and is worth checking out for any Disney fans who like exploring the characters from new and different perspectives. It has some nice nods to the original film, good writing and characterisation, and an interesting plot
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Tuesday, 2 July 2024
Gone Tonight by Sarah Pekkanen
I received an ARC of this book thanks to NetGalley and publisher Orion Publishing Group in exchange for an honest review.
It is difficult to describe the plot of this book spoiler-free. Gone Tonight centers around Ruth and Catherine, a mother and daughter who live together and have a fairly close bond. Catherine's world comes crashing down when Ruth reveals she might have Alzheimer's, ruining Catherine's plans to move away to a new city. But soon Catherine starts to suspect that Ruth is lying to her and it becomes clear that Ruth has additional reasons for not wanting Catherine to leave.
Gone Tonight is a thriller that sheds its skin many times and becomes many different things. It's a very interesting book and it is carried by the strength of the two main characters. Ruth in particular is well-written and could've honestly been a real person. I liked how I never knew where the book was going to go or what the characters intentions were fully. It's a hard balance to keep characters mysterious whilst not losing reader interest, but this book does it masterfully.
I did feel this book lost some of the steam near the end but I am not quite sure why. Perhaps the focus shifted a little too much off the main two leads and their psychological and interpersonal struggles were really what I was interested in. That isn't to say that the book ends badly and I was still invested throughout, but it became clear to me what was going to happen and it lost some of the magic as a result.
Overall, this is a solid thriller and one of the better examples of the genre. Pekkanen's solo work is just as gripping as her books with Greer Henderson, and if you enjoy cat-and-mouse style thrillers, then this is definitely worth checking out
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