Gone Tonight by Sarah Pekkanen

 

I received an ARC of this book thanks to NetGalley and publisher Orion Publishing Group in exchange for an honest review.

It is difficult to describe the plot of this book spoiler-free. Gone Tonight centers around Ruth and Catherine, a mother and daughter who live together and have a fairly close bond. Catherine's world comes crashing down when Ruth reveals she might have Alzheimer's, ruining Catherine's plans to move away to a new city. But soon Catherine starts to suspect that Ruth is lying to her and it becomes clear that Ruth has additional reasons for not wanting Catherine to leave.

Gone Tonight is a thriller that sheds its skin many times and becomes many different things. It's a very interesting book and it is carried by the strength of the two main characters. Ruth in particular is well-written and could've honestly been a real person. I liked how I never knew where the book was going to go or what the characters intentions were fully. It's a hard balance to keep characters mysterious whilst not losing reader interest, but this book does it masterfully.

I did feel this book lost some of the steam near the end but I am not quite sure why. Perhaps the focus shifted a little too much off the main two leads and their psychological and interpersonal struggles were really what I was interested in. That isn't to say that the book ends badly and I was still invested throughout, but it became clear to me what was going to happen and it lost some of the magic as a result.

Overall, this is a solid thriller and one of the better examples of the genre. Pekkanen's solo work is just as gripping as her books with Greer Henderson, and if you enjoy cat-and-mouse style thrillers, then this is definitely worth checking out

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If I Can't Have You by Charlotte Levin

 

I received an ARC of this book thanks to NetGalley and publisher Pan Macmillan in exchange for an honest review.

If I Can't Have You is the twisted story of a woman obsessed with a man. From the day Constance meets Samuel at her workplace, she is convinced he is the one for her. Unaware of her obsession, he begins sleeping with her and so starts an unhealthy and dysfunctional dynamic which fuels the whole plot.

The plot of this book is very simple but it's all in the execution for me. This is a very well-told story, with a decent pace and enough going on that it keeps you invested. I really liked the addition of Edward, an elderly friend Constance makes early on. I think this could have easily focused entirely on the romance/stalking aspect and, while it is still mostly about that, it adds depth and realism that Constance has an existence outside of that, even if she doesn't realise it.

My biggest contention of the book lies with Constance's friend/roommate, Dale. Initially I thought he was her husband and this was a little confusing (I did listen to the audiobook so it's possible I missed something) but more importantly, I can't decide whether I like what he symbolises in the story. Dale is hopelessly in love with Constance and this is meant to be a mirror to her feelings towards Samuel, but it doesn't quite hit true. For starters, Constance initially does little to encourage Dale whilst Samuel definitely flirts with Constance and takes advantage of her. Secondly, the direction the Dale plotline takes means I am not quite sure what the author was going for. Is this meant to be Constance's punishment for acting how she does? Intentional or not, it's hard not to read into it that way. But again, I do like the depth and interesting parallels it adds at times.

Overall, this book is an intriguing exploration of an obsessive relationship. It doesn't do anything ground-breaking plot wise, and if you want a high-octane thriller then there are better examples out there. But it is an interesting blend of thriller and standard fiction, and it has enough depth and interesting things to say to be worth your time

Overall Rating:

.5

The Final Girl Support Group by Grady Hendrix

 

I received an ARC of this book thanks to NetGalley and publisher Titan Books in exchange for an honest review.

Grady Hendrix is one of those authors I know is always going to give me a good time, and The Final Girl Support Group is no exception. From the first page this book sucked me in and I loved every second of it. 

This is the tale of Lynette, a 'final girl' of the horror genre fame. For those not in the know, a final girl is the sole survivor of a horror film, usually found in 80s and 90s slashers. She is usually pure, very resourceful and innocent, and often deeply traumatised by her experiences. In this world, famous horror movies are based on true events and our 6 members of the support group are the survivors. Scream, Friday the 13th, Halloween-they are all here under different names, and now we get to see what happened to the protagonists and who they grew up to be. The plot kicks off when Lynette suspects that someone is intent on murdering them all and goes on the run, determined that this time she will survive again.

There was so much about this book that surprised and delighted me. Firstly, the fact that each final girl comes from a recognisable franchise was completely unexpected and I adored it as a horror fan. I loved trying to guess what franchise each girl came from and putting together all the references and clues. Having said that, this book is so much more than a love letter to the genre. As always, Hendrix's characters are on point here. Lynette is ruthless and not a 'good' person, but you are 100% rooting for her as a reader. I think it does a brilliant job of recreating that familiar relationship between a victim and the public. Sure, you feel sorry for her but can you trust her? Is she telling the truth? Hendrix plays on these feelings to the book's advantage and it really is so clever in its execution.

It is truly incredible to have a book like this with a plot like it does and it be one of the most feminist horror books I have ever read. Rest assured, it is not overt and can be easily ignored if you wish. But to have such a strong cast of female characters, to truly poke and prod at the trope of the 'final girl' and how it is perceived by people, to have almost no sexual content or sexualisation of the female characters in the slasher genre: all this is so impressive to me. I think it has some fantastic things to say in the conversation of gender and horror, and these are woven effortlessly into the story so it never feels preachy or like that is the only point of the book.

There's not much more I can say to praise this book without giving things away but truly, it was everything I hoped for and more. If you're wondering what the difference between Final Girls by Riley Sager and this is, they are similar in basic premise and analysis of the trope but vastly different in content and execution. I enjoyed both thoroughly and reading The Final Girl Support Group, I didn't feel like it was being unoriginal or retreading old ground. This is definitely more of a horror than a thriller and it explores a wider cast of characters and situations.

Overall, if you enjoy horror (and in particular, slashers) please read this book. It breathes fresh life into the genre and I know this is a story I will be rereading a lot for many years to come. If you try one of Hendrix's books (and you absolutely should) this is the one I recommend the most.

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Rewind by Catherine Ryan Howard

 

I received an ARC of this book thanks to NetGalley and publisher Atlantic Books in exchange for an honest review.

Having previously read a thriller by this author and been really impressed, I was hoping for so much more from this book. Rewind is the story of Audrey, a protagonist so inconsequential she didn't even appear on the blurb or in anyone else's reviews. But while the blurb claims this is the story of Natalie, in reality she doesn't play much of a part in it aside from being murdered. Audrey is the wannabe reporter investigating her disappearance and what I would consider the true protagonist. Natalie is an influencer and our murder victim, a woman who gets attacked while investigating somewhere she thinks her husband might have cheated on her at.

Rewind is ultimately a fairly boring story with a needlessly confusing setup. The blurb got me pretty excited and I normally don't mind stories told out of time, but the way this is set up makes it a little pointless. The PAUSES, REWINDS, FAST FORWARDS do little apart from indicate that the story is taking place in the present or the past. The video aspect of the murder is extremely straightforward and not really part of the actual plot at all. There aren't any twists, nothing surprised me and I didn't really care about any of the characters. It was all so generic.

Ultimately, I can't recommend this thriller. It's a shame because it has a lot of elements I love (I really like thrillers based around social media influencers, and that's a pretty hot topic atm) but everything was so dull and straightforward. If you prefer very linear thrillers, you might like this one but otherwise there isn't much to recommend.

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Strangers by C.L. Taylor

I received an ARC of this book thanks to NetGalley and publisher Avon Books UK in exchange for an honest review.

C.L. Taylor has proven herself capable of crafting very neat, well-executed thrillers and Strangers is no exception to this. There is a slight trend to have thrillers where you appear to be focused on separate characters only to have their lives collide when it comes to the climax. I can honestly say that this is probably the best example of that kind that I've ever read. It is both extremely hard to predict just how and when the characters' lives will intersect, and also satisfying when they do. I was impressed by how tightly plotted this book was.

The only real flaw of this thriller is that it feels like it has too many characters. The blurb mentions three POV characters and I was actually surprised when I checked this after reading it because it felt like far more. I think because each character has several people they interact with, and the way that the stories all intersect at the end means that you have to keep track of pretty much all of them, this resulted in there feeling like there are about twelve main characters. This was actually executed about as well as it could be since for once, I remembered pretty much all of the characters which I am notoriously bad with for thrillers. Even so though, it is a little intense.

In terms of the plot, this book falls squarely into domestic thriller. There really aren't tons of thriller elements or lots of mysteries going on but each character has a solid enough storyline and it kept me engaged throughout. Overall, this is a really enjoyable read and a great example of Taylor's writing skills. I look forward to seeing what else she can write next.

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